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Auxilliary Information
A guide to Honourary English

By now our precious Living benefactors ought to be familiar with Maldevaran English, not like one has a choice, because it is the only language that exists, but what about its variety of the jurisprudic tendency used within the prestigious domains of the Court and the Council?

The aforementioned is referred to as Honourary English, the minified version of which is employed in the daily speech of Judges and Marginalian Officers (with all the ipsedisruptic phenomena it arrives with), and the full extent of its flourish exemplified through Legal documents and academic treatises.

The particulars of this variation may be assimilated by you through the assumption of these six cardinal rules:

  • Always use a metaphor, simile, or other figure of speech which you are used to seeing in print. If a concantenation of words is so riverrun to the point where the original meaning has eroded into a mere facsimile of conceptual shadow, then all the more reason to echo the sentiment within your own linguistic appearations.
  • The convenience of brevity comes with the cost of a scarcity of associated nodes and conceptual relations: whenever feasible (and if feasible, non-feasible), the supplementation of a concise manner of speech with one more elaborate and ill-defined is highly recommended.
  • If it is possible to overextend a sentiment through the discalculated appendation of additional morphemological units to the point of semantic pointlessness, always choose such a path.
  • The passive voice is to be chosen above-preference over the active.
  • The usage of a foreign phrase, a scientific word, or a jargon word is typically unorthodox, witherto the consideration that foreign phrases do not exist and technical constructive speech will-has-been degraded since long past, insofar that the past is a meaningful point to distinguish, to the vagaries of Time; regardless, if the use of such ancillary conceptualisations further serves to obfuscate and express without neither much construction nor emotion, then the decision becomes preferable.
  • Breaking these rules is Legally Permissible, if not necessarily Correct.
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General Comments - gui

2025/01/09 (Thu) 09:49:27

i wanted a place to make unprecedented thoughts i had about the story that aren't long enough to make into its own thread so this is a general one that others can use too (all three of us)

Re: General Comments - kii URL

2025/01/09 (Thu) 15:40:28

im trying 2 read the hs epilogues again (never got 2 finish its just a lottttt) and as much as breadavota is compared to hs i kinda feel like breadavota is like the epilogues/hsbc that doesnt feel so intent on shitting over itself

Re: General Comments - kii URL

2025/01/09 (Thu) 15:33:39

based

bien rly rose up the ranks of being a fave bcuz of his blog imo

Re: General Comments - gui

2025/01/09 (Thu) 10:11:01

rereading this part is what reminded me i wanted to make this trend

bien's writing style is great for his character and i think having a blog in his pov is the main reason bien comes off as the most developed so far despite his overall blandness otherwise. with this particular quote i liked the vibe of how it sorta sounds like he's saying something that makes sense but at the same time it's hard to imagine what this place he's describing looks like. and his shitty art doesn't help

i think the most vocal readers (the famous three breadposters) find sar and bien really engaging more than even the breadavota mascot jacques i mean bread i mean jacques because rpp's writing style is more focused on a quality of prose than on actual plot progression.

sar and bien's main appearances being written in their actual perspectives instead of watched from the outside is just written more effectively imo than the rest of the story, where it's kinda obvious rpp can't string a series of events together coherently (breadavota pacing haters unite)

kii (hi) had a good way of putting that, about how the characters are often kept locked inside a room and not really "doing" anything, and the choice to keep bien locked inside both literally and metaphorically the smallest spaces possible instead of making him do some actual demonic shit like the apocalypse stuff plays to the story's strengths (and weaknesses imo). i don't think it's "great" in terms of moving forward the plot in a way that doesn't feel suffocating (though i recognize that's half the point) but i also get the feeling that it isn't really likely a more plot-focused progression would be as interesting or effective in establishing the atmosphere that locking bien in a room would have

i don't exactly want to use this word but i can't think of a better one, breadavota to me is a really think-y cerebral story that cares little if any about more than showing how the characters think, and i don't mean in a biographical way where we learn "what are the likes and dislikes, what are the motivations, what is his backstory?" but i guess something more introspective (or even something purely introspective), the whole schizoshit of HOW the characters think, the way they associate concepts with each other and how they try to explain the relations of their associations

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